‘No Man’s Land’ Review

Jackson Greer is both a fish out of water and a man out of time in Conor Allyn’s contemporary Western “No Man’s Land,” although you wouldn’t know it by the way Jake Allyn’s handsome Texas rancher reckons with having killed a migrant boy in the heat of confrontation by cheerily swigging beers at a Mexico bar. This is a movie of inelegant craft, five-cent metaphors and stilted convictions, though its most self-defeating attribute is how it cheats itself into having a short memory.