It's somewhat surprising we went this long without Nic Cage slipping into Dracula's cowl. It wasn't entirely worth it.

The twisty filmmaker rebounds from the mismanaged "Glass" to deliver a beachside allegory as funny and tense as it is poignant.

The sophomore feature from Ilya Naishuller confirms him as a filmmaker of the ferociously hardcore, leave-the-kids-at-home, make-you-wince-once-or-twice variety.

Words carry a heavy burden in Paul Greengrass’s shaky new pseudo-Western “News of the World.” They can bring communities together for the possibility of shared knowledge, and they can forge bonds where bonds aren’t expected to be forged. They can also spread fear and prejudice, deliver a threat as precursor to bloodshed. The movie understands these truths as well as a simpler one: When Tom Hanks speaks, you listen. And it synergizes them for a picture that is – in its best, rarest, unfussiest stretches – gently intuitive about the world-changing potential of sharing stories and communication.