This "Journey to the Center of the Earth"-esque adventure teases visual innovation before dashing it for been-there-done-that style and story.

Robert Zemeckis follows up his update of "The Witches" for a remake that's even less memorable.

Andy Samberg and John Mulaney take Disney to task, and a pair of animated chipmunks who were on TV years ago become relevant again.

Pixar's groundbreaking project runs the gamut from teen dramedy to action epic, and is timelier than perhaps any of the studio's previous efforts.

The animation studio's latest big-hearted adventure is an affair rooted in home, and in feeling like an outsider in your own family.

The deliriously derivative new based-on-a-Disneyland-ride blockbuster is mostly just a reminder of how inventive these big-screen adventures used to be.

Emma Stone slips into Cruella de Vil's high heels in this origin story that is narratively puffed up but occasionally energetic. Just don’t expect to have a much better understanding of the iconic villain.

Walt Disney Animation’s latest is its most action-packed entry since “Big Hero 6” and its most soulful since “Moana.”

“Soul,” if you allow it metatextual leeway, shows Pixar wrestling with questions becoming of the 25-year-old studio’s priorities and standards. But taken on its own terms, it’s also a serviceable, pretty funny, slightly ostentatious movie concerned with some of the most spiritual concepts a movie can possibly concern itself with.