Reviews
‘Women Talking’ Review
As her documentary “Stories We Tell” taught and this movie’s exemplary ensemble shows, Sarah Polley has an eye for pinpointing deeper layers of consequence.
‘White Noise’ Review
There's ambition in Noah Baumbach's colorful and catastrophic ode to the American family, but not much else.
‘Corsage’ Review
Vicky Krieps turns in her most impressive effort since "Phantom Thread" as a sovereign out to save herself.
‘Bardo’ Review
The director of "Birdman" and "The Revenant" returns to his native Mexico to confront personal and national legacies.
‘Empire of Light’ Review
Despite ravishing atmosphere, this lackluster effort grasps for profundity but falls perilously short.
‘Avatar: The Way of Water’ Review
James Cameron's fantastical world is wider, wetter and a touch more profound in this long-anticipated sequel to the 2009 juggernaut.
'Decision to Leave' Review
Park Chan-wook dials down the ferocity for a tender, immensely satisfying heartbreaker.
‘A Wounded Fawn’ Review
Travis Stevens's movie starts out narratively straightforward before shifting into another thing entirely, with the force of a snapping bone.
'Pinocchio' Review
The "Pan's Labyrinth" director treads closer to that sublime masterwork with an adaptation that restores a classic story's power.
‘Strange World’ Review
This "Journey to the Center of the Earth"-esque adventure teases visual innovation before dashing it for been-there-done-that style and story.
‘Black Panther: Wakanda Forever’ Review
The loss of Chadwick Boseman helps shade Ryan Coogler's highly anticipated follow-up, when it isn't overcompensated with other storytelling duties.
‘Causeway’ Review
The two actors, best-known for participating in tentpole franchises, quiet things down for a deliberately paced drama that showcases their talents.
‘Wendell & Wild’ Review
The "Coraline" director partners with Jordan Peele for his latest creepy-crawly adventure, this one spotlighting institutional evils.
‘The Banshees of Inisherin’ Review
Colin Farrell and Brendan Gleeson make full good on their "In Bruges" reunion as two ex-chums engaged in social warfare.
‘Till’ Review
So astonishing is Danielle Deadwyler as Emmett Till's mother that she adds entirely new dimensions to a familiar story, and a familiar kind of story.
Fantastic Fest Review: ‘Vesper’
The elements are all correct in this passionately rendered dystopian story, but the calculus is off.
‘Speak No Evil’ Review
This amusingly grim Sundance stunner arrives on Shudder this week, and ruptures through the limits of fiction when it’s at its best.
‘Pinocchio’ Review
Robert Zemeckis follows up his update of "The Witches" for a remake that's even less memorable.
‘Three Thousand Years of Longing’ Review
High expectations await the Aussie filmmaker's "Mad Max: Fury Road" follow-up, which attempts to be a different kind of epic.
‘Breaking’ Review
John Boyega plays the real-life veteran Brian Brown-Easley, whose desperation drove him to a tragic end in 2017.