The feature debut of Australian director Goran Stolevski blurs the line between horror and drama while treading the line between violence and rebirth.

Like its subject, Morgan Neville's new documentary reveals itself to be a bit of a contradiction.

Eddie Huang's first feature effort attempts to put an intergenerational immigrant-story spin on your standard sports tale.

The new drama “Land” finds the venerable Robin Wright boldly treading into unknown territory to contend with new challenges in more ways than one, and at the project’s center is a self-referential awareness that I’m sure its star must appreciate to a certain extent. Having spent the better part of the last half-decade popping up in high-profile blockbusters and helping to tug Netflix’s “House of Cards” across the finish line sans Spacey, “Land” sees the accomplished actress in the director’s chair of a feature film for the first time.