Reviews
‘Till’ Review
So astonishing is Danielle Deadwyler as Emmett Till's mother that she adds entirely new dimensions to a familiar story, and a familiar kind of story.
‘Ailey’ Review
As much an inquiry into the legacy of Alvin Ailey as a celebration of his art, Neon's new documentary is often as mesmerizing and graceful as its subject.
‘Moffie’ Review
“Moffie” emerges not as a story centered on the dehumanization of Black South Africans during the apartheid era, but rather on the empathy-starved soil of military boot camp from which hatred so easily sprouted.
‘One Night in Miami’ Review
You’d be hard-pressed to deny that Regina King knows a thing or two about captivating her audience. Having spent the last three decades shaping an acting career on screens big and small – her consistency capped off by collecting an Oscar, a Golden Globe and two Emmys since 2018 – the Los Angeles native now embarks on a new career branch that’s looking as sturdy as any other with her electrifying feature directorial debut, “One Night in Miami,” an adaptation of Kemp Powers’s stage play about Black resilience and responsibility (he returns to adapt his own story for the screen).