This Norwegian horror-drama has ice in its veins, but also extends a hand of empathy towards its vulnerable young ensemble.

Ruth Paxton's feature directorial debut is a feast of mood let down by its distracted plot.

Sean King O'Grady's feature debut is a nasty bit of limited-perspective horror dulled by dramatic slightness during a maybe-apocalypse.

An intriguing but narratively self-defeating mash-up of “Stranger Things,” “Inception” and stark ‘80s paranoia, “Come True” – the second feature directorial effort from Anthony Scott Burns – puts a ghoulish spin on cinema’s defining ability to turn the audience into voyeurs.