The latest from the director of "Horse Girl" and "The Little Hours" is a flavorless blend of tone that never finds its right proportions.

A journalist desperate to share his voice discovers an opportunity, and Frito pie, in a Lone Star State murder mystery.

The twisty filmmaker rebounds from the mismanaged "Glass" to deliver a beachside allegory as funny and tense as it is poignant.

Though its script gets bogged down in a carousel of people and perils, Robert Connolly’s sun-baked new movie succeeds thanks to its strong sense of emotional fragility and the questions surrounding its lead character.