Reviews
‘Roadrunner: A Film About Anthony Bourdain’ Review
Like its subject, Morgan Neville's new documentary reveals itself to be a bit of a contradiction.
‘Pig’ Review
Michael Sarnoski's feature debut is defiant in its moods and captivating in its sadness as Nicolas Cage delivers an exemplary performance.
‘Black Widow’ Review
Less an expansive Marvel entry than a deeper one, "Black Widow" stays relatively low to Earth before indulging bombastic tendencies in its third act.
‘No Sudden Move’ Review
The director's best movie since "High Flying Bird" sees him turning his eye once again to capitalistic structures with divinely entertaining panache.
‘The Tomorrow War’ Review
Chris Pratt is back in blockbuster mode, but this sci-fi spectacle proves he's ineffective as the virtuous everyman-turned-hero.
‘The Sparks Brothers’ Review
For the "Baby Driver" and "Hot Fuzz" director, his first documentary is a dream assignment. For the Sparks uninitiated, it's a poignant whirlwind of an education.
‘Luca’ Review
Far from the metaphysical concepts of "Soul," Pixar's latest is a more straightforward and ultimately more human story of friendship and discovery.
‘In the Heights’ Review
The high-energy adaptation of Lin-Manuel Miranda's Broadway hit finally arrives in cinemas, dazzlingly making good on a year's worth of anticipation.
‘Censor’ Review
The grimy history of mania targeting violent art lays the foundations for this adequate movie, but its most interesting ideas are left at the door.
‘All Light, Everywhere’ Review
Filmmaker Theo Anthony's work is an abstract, staggering and purposefully overwhelming journey into the tango between perspective and power.
‘Caveat’ Review
If you're looking for minimal, unpredictable counterprogramming to the blockbuster scale of "The Conjuring 3," "Caveat" will do spooky wonders.
‘Undine’ Review
The German filmmaker is back to his deeply melancholic ways, and while his new movie is a tougher paradox to crack, it's mighty rewarding.
‘Cruella’ Review
Emma Stone slips into Cruella de Vil's high heels in this origin story that is narratively puffed up but occasionally energetic. Just don’t expect to have a much better understanding of the iconic villain.
‘The Dry’ Review
Though its script gets bogged down in a carousel of people and perils, Robert Connolly’s sun-baked new movie succeeds thanks to its strong sense of emotional fragility and the questions surrounding its lead character.
‘There Is No Evil’ Review
Mohammed Rasoulof shot his latest project in secrecy, having been targeted by his home country in the past for the revealing stories he tells. It went on to win the Golden Bear in Berlin.
‘The Killing of Two Lovers’ Review
Propelled by engaging performances and refined craft, Robert Machoian’s newest movie recalculates a familiar kind of marriage-on-the-rocks story into an incredibly tense tale.
‘The Woman in the Window’ Review
Originally scheduled for pre-pandemic release, Joe Wright's movie writes itself into a suspenseless corner. It lands on Netflix Friday.
‘Undergods’ Review
Writer-director Chino Moya's feature debut has some visual flair, but it's in service of familiar ideas and a nonexistant story.
‘Wrath of Man’ Review
Jason Statham returns to a cold-blooded world of firefights and fistfights, but there's no tangible drama in this crime drama.