Jacques Audiard’s almost-anthology movie struggles to turn the spark of intersecting relationships into a blaze of emotion.

The director of "Pride & Prejudice" and "Atonement" returns with another romance that is, if less controlled, also no less daring in its sincerity.

Dan Stevens speaks silky German while contemplating romance and existence as a robotic partner to an excellent Maren Eggert.

The German filmmaker is back to his deeply melancholic ways, and while his new movie is a tougher paradox to crack, it's mighty rewarding.

Nikole Beckwith's smart screenplay balances quirk and steadfast sincerity in her second feature, one that challenges regular genre associations.

Pitch-perfect needle drops courtesy of Elton John and The Rolling Stones can only get you so far when wading into nostalgic waters, and somewhere soon after the midpoint of Sundance 2021 flick “One for the Road,” it finds itself suddenly submerged.