Reviews
Fantastic Fest Review: ‘All Jacked Up and Full of Worms’
Director Alex Phillips has devised a 72-minute movie that probably can't be compared to much else, and that certainly won't be for everyone.
Fantastic Fest Review: ‘Vesper’
The elements are all correct in this passionately rendered dystopian story, but the calculus is off.
‘Three Thousand Years of Longing’ Review
High expectations await the Aussie filmmaker's "Mad Max: Fury Road" follow-up, which attempts to be a different kind of epic.
‘Good Luck to You, Leo Grande’ Review
Emma Thompson and Daryl McCormack are a match made in raunchy heaven, but that's just the start of this unexpectedly wise, solidly funny character study.
‘The Innocents’ Review
This Norwegian horror-drama has ice in its veins, but also extends a hand of empathy towards its vulnerable young ensemble.
SXSW Review: ‘The Lost City’
Co-directors Adam and Aaron Nee let their performers take the reins and take command in their throwback action-romance-adventure.
SXSW Review: ‘Until the Wheels Fall Off’
Filmmaker Sam Jones returns with a standard-issue documentary bookended by somber inquiries into the price of passion.
‘Drive My Car’ Review
This Best Picture nominee from Japan effortlessly, gracefully conveys the kinds of massive stakes that we tend to reserve for Hollywood's biggest blockbusters.
‘Cyrano’ Review
The director of "Pride & Prejudice" and "Atonement" returns with another romance that is, if less controlled, also no less daring in its sincerity.
‘A Banquet’ Review
Ruth Paxton's feature directorial debut is a feast of mood let down by its distracted plot.
‘The Last Thing Mary Saw’ Review
The first feature from writer-director Edoardo Vitaletti takes some of the best lessons from "The Witch," but its narrative is missing momentum.