Reviews
‘The Apprentice’ Review
The film, focusing on a young Donald's relationship with scorched-earth attorney Roy Cohn, uses a grim brush to paint the billionaire's origin story.
‘The Brutalist’ Review
Brady Corbet's Academy Awards contender is dazzling, a bit disorienting and definitive in its ambition.
'My Drywall Cocoon' Review
Caroline Fioratti's drama brushes with interesting ideas but is, maybe intentionally, as directionless as its ensemble.
‘The Son’ Review
Florian Zeller's follow-up to his Oscar-winning "The Father" lacks the finesse, empathy and gusto of his debut.
'Broker' Review
"Parasite" star Song Kang-ho stars as a child trafficker in a stirring new South Korea-set drama that's more uplifting than its premise suggests.
‘White Noise’ Review
There's ambition in Noah Baumbach's colorful and catastrophic ode to the American family, but not much else.
‘Corsage’ Review
Vicky Krieps turns in her most impressive effort since "Phantom Thread" as a sovereign out to save herself.
‘Bardo’ Review
The director of "Birdman" and "The Revenant" returns to his native Mexico to confront personal and national legacies.
‘Causeway’ Review
The two actors, best-known for participating in tentpole franchises, quiet things down for a deliberately paced drama that showcases their talents.
‘The Banshees of Inisherin’ Review
Colin Farrell and Brendan Gleeson make full good on their "In Bruges" reunion as two ex-chums engaged in social warfare.
‘Till’ Review
So astonishing is Danielle Deadwyler as Emmett Till's mother that she adds entirely new dimensions to a familiar story, and a familiar kind of story.
Fantastic Fest Review: 'Unidentified Objects'
By casting a little person in the lead role of his scifi-inflected adventure, Juan Felipe Zuleta creates new possibilities for a well-worn template.
‘Breaking’ Review
John Boyega plays the real-life veteran Brian Brown-Easley, whose desperation drove him to a tragic end in 2017.
'A Love Song' Review
The ferocious and ferociously prolific character actor finally gets a starring role that makes full use of her versatility in this touching drama.
‘Spin Me Round’ Review
The latest from the director of "Horse Girl" and "The Little Hours" is a flavorless blend of tone that never finds its right proportions.
‘Vengeance’ Review
A journalist desperate to share his voice discovers an opportunity, and Frito pie, in a Lone Star State murder mystery.
‘Both Sides of the Blade’ Review
Juliette Binoche and Vincent Lindon are passionate and volatile in this hazy melodrama about love's tendrils wrapping themselves around the present.
‘Petite Maman’ Review
Céline Sciamma scales down and digs into the shared soul of a mother and her daughter in this sublime movie.
‘You Won’t Be Alone’ Review
The feature debut of Australian director Goran Stolevski blurs the line between horror and drama while treading the line between violence and rebirth.
‘West Side Story’ Review
The legendary director's first full-blooded musical is a gorgeous spectacle, so long as you can ignore the air of obviousness that lingers throughout.