There's ambition in Noah Baumbach's colorful and catastrophic ode to the American family, but not much else.

Vicky Krieps turns in her most impressive effort since "Phantom Thread" as a sovereign out to save herself.

Despite ravishing atmosphere, this lackluster effort grasps for profundity but falls perilously short.

Director Alex Phillips has devised a 72-minute movie that probably can't be compared to much else, and that certainly won't be for everyone.

High expectations await the Aussie filmmaker's "Mad Max: Fury Road" follow-up, which attempts to be a different kind of epic.

John Boyega plays the real-life veteran Brian Brown-Easley, whose desperation drove him to a tragic end in 2017.

Plaza, playing a debt-ridden Angelano enticed toward the criminal underworld, fully sheds herself of the comic pretensions that have long defined her.

Viggo Mortensen and Léa Seydoux dig into themselves – literally – and search for meaning along the edge of humanity's next chapter.

Stephen King's 1980 novel about a girl cursed with pyrotechnic abilities is adapted by a team eager to revise and failing to justify themselves.

This Norwegian horror-drama has ice in its veins, but also extends a hand of empathy towards its vulnerable young ensemble.

Céline Sciamma scales down and digs into the shared soul of a mother and her daughter in this sublime movie.

Hanna Bergholm's feature directorial debut is devilish, thematically tangled slice of creature-feature grotesquerie.

Writer/director Jane Schoenbrun channels the anxiety, spontaneity and strange solace of living online in her ultratense feature debut.

The latest adventure through the wizarding world, led by Mads Mikkelsen and Jude Law, feels unsure about the overarching story it's telling.

Jacques Audiard’s almost-anthology movie struggles to turn the spark of intersecting relationships into a blaze of emotion.

The latest from the filmmaker behind "American Honey" and "Fish Tank" is an ecologically minded endeavor that finds comfort in the uncomfortable.

The feature debut of Australian director Goran Stolevski blurs the line between horror and drama while treading the line between violence and rebirth.

The legendary director's first full-blooded musical is a gorgeous spectacle, so long as you can ignore the air of obviousness that lingers throughout.

This Best Picture nominee from Japan effortlessly, gracefully conveys the kinds of massive stakes that we tend to reserve for Hollywood's biggest blockbusters.

Dreams are no sanctuary from capitalism's claws in this movie, which has as much heart and urgency as weirdness.