Reviews
‘Chupa’ Review
At just 95 minutes, the family-friendly affair doesn't overstay its welcome. But it does have unfulfilled potential.
‘Women Talking’ Review
As her documentary “Stories We Tell” taught and this movie’s exemplary ensemble shows, Sarah Polley has an eye for pinpointing deeper layers of consequence.
‘Corsage’ Review
Vicky Krieps turns in her most impressive effort since "Phantom Thread" as a sovereign out to save herself.
‘Speak No Evil’ Review
This amusingly grim Sundance stunner arrives on Shudder this week, and ruptures through the limits of fiction when it’s at its best.
'A Love Song' Review
The ferocious and ferociously prolific character actor finally gets a starring role that makes full use of her versatility in this touching drama.
‘Good Luck to You, Leo Grande’ Review
Emma Thompson and Daryl McCormack are a match made in raunchy heaven, but that's just the start of this unexpectedly wise, solidly funny character study.
‘Firestarter’ Review
Stephen King's 1980 novel about a girl cursed with pyrotechnic abilities is adapted by a team eager to revise and failing to justify themselves.
‘Hatching’ Review
Hanna Bergholm's feature directorial debut is devilish, thematically tangled slice of creature-feature grotesquerie.
‘Paris, 13th District’ Review
Jacques Audiard’s almost-anthology movie struggles to turn the spark of intersecting relationships into a blaze of emotion.
‘A Banquet’ Review
Ruth Paxton's feature directorial debut is a feast of mood let down by its distracted plot.
‘Nightmare Alley’ Review
Bradley Cooper plays a slippery schemer in del Toro's latest blood-tipped fantasia, and he’s joined by several other A-listers.
‘The Card Counter’ Review
Schrader's latest study of a volatile and potentially eruptive personality is potent in its bleakness but doesn't completely have a handle on its own stakes.
‘Days’ Review
Taiwanese filmmaker Tsai Ming-liang's new movie won't entice everyone with its slow and static documentary-like observations. But there's a poetry to its simplicity.
‘Old’ Review
The twisty filmmaker rebounds from the mismanaged "Glass" to deliver a beachside allegory as funny and tense as it is poignant.
‘Roadrunner: A Film About Anthony Bourdain’ Review
Like its subject, Morgan Neville's new documentary reveals itself to be a bit of a contradiction.