Reviews
‘Cow’ Review
The latest from the filmmaker behind "American Honey" and "Fish Tank" is an ecologically minded endeavor that finds comfort in the uncomfortable.
‘You Won’t Be Alone’ Review
The feature debut of Australian director Goran Stolevski blurs the line between horror and drama while treading the line between violence and rebirth.
SXSW Review: ‘The Lost City’
Co-directors Adam and Aaron Nee let their performers take the reins and take command in their throwback action-romance-adventure.
SXSW Review: ‘Until the Wheels Fall Off’
Filmmaker Sam Jones returns with a standard-issue documentary bookended by somber inquiries into the price of passion.
‘Turning Red’ Review
Pixar's groundbreaking project runs the gamut from teen dramedy to action epic, and is timelier than perhaps any of the studio's previous efforts.
‘Drive My Car’ Review
This Best Picture nominee from Japan effortlessly, gracefully conveys the kinds of massive stakes that we tend to reserve for Hollywood's biggest blockbusters.
‘Strawberry Mansion’ Review
Dreams are no sanctuary from capitalism's claws in this movie, which has as much heart and urgency as weirdness.
‘Cyrano’ Review
The director of "Pride & Prejudice" and "Atonement" returns with another romance that is, if less controlled, also no less daring in its sincerity.
‘A Banquet’ Review
Ruth Paxton's feature directorial debut is a feast of mood let down by its distracted plot.
‘The Sky is Everywhere’ Review
A strange pairing of director and story flourishes against Decker's intensely mercurial style and Grace Kaufman's gritty, committed lead performance.
‘Sundown’ Review
Answers aren't just elusive in this Mexico-set drama; they're mighty scarce. That makes "Sundown" a fascinating blank canvas of a movie.
‘The Last Thing Mary Saw’ Review
The first feature from writer-director Edoardo Vitaletti takes some of the best lessons from "The Witch," but its narrative is missing momentum.